Discovery and Physical Description
The book is named after Wilfrid Voynich, a Polish antiquarian who purchased it in 1912 from a Jesuit college in Italy. It now resides at Yale University’s Beinecke Rare Book & Manuscript Library. The manuscript contains about 240 pages of calfskin vellum, though some are missing. Radiocarbon dating places its creation between 1404 and 1438, during the early Renaissance period.
The text is written in an unknown script often called Voynichese, consisting of about 20–30 characters that resemble no known alphabet. The manuscript also features detailed colored illustrations of plants, astronomical diagrams, nude figures, and mysterious symbols.
Material, Authorship, and Dating
Scientific testing confirms the vellum dates from the early 15th century, and the ink and pigments appear contemporary to that time. The current binding is later and not original. Handwriting studies identify at least five distinct scribes who worked on different sections of the manuscript, suggesting it was a collaborative effort.
Although the author remains unknown, handwriting style and materials suggest European origin, possibly Northern Italy or Central Europe. No record identifies its creator, and its early ownership history before the 17th century is uncertain.

Structure and Content
Because the text is undeciphered, researchers divide the book into sections based on illustration themes:
| Section | Description |
|---|---|
| Herbal (Botanical) | Depicts single or paired plants, each with accompanying text. Most plants do not match known species. |
| Astronomical / Astrological | Circular diagrams of suns, moons, stars, and zodiac symbols such as Pisces and Taurus. |
| Biological / Balneological | Drawings of nude female figures connected by tubes and pools, perhaps symbolic of baths or anatomy. |
| Cosmological | Foldout pages with complex circular diagrams that might represent maps or cosmological systems. |
| Pharmaceutical | Illustrations of jars, roots, and herbal preparations reminiscent of medieval apothecaries. |
| Recipes | Short paragraphs marked with star-shaped bullets, possibly lists or procedural notes. |
Ownership History
The earliest confirmed owner was Georg Baresch, a 17th-century alchemist from Prague who described it as a “Sphynx.” He later sent it to the scholar Athanasius Kircher in Rome, hoping for translation. The manuscript then passed to Johannes Marcus Marci, who included a letter describing its provenance. Wilfrid Voynich acquired it in 1912, and it was donated to Yale in 1969, where it remains accessible to researchers and the public via high-resolution digital scans.
Modern Analysis and Scientific Studies
Extensive scientific testing has deepened understanding but not solved the mystery. The vellum, ink, and pigments are all authentic to the early 1400s. The text shows internal consistency typical of real languages, not random gibberish, and statistical analysis supports this. Yet no known language or cipher system fits its patterns.
Recent multispectral imaging in 2024 revealed faint Latin letters on the first page, apparently annotations by a former owner. A 2020 handwriting study confirmed at least five scribes contributed. Machine learning and AI-based linguistic models have been applied but have not produced verifiable translations.
Theories and Hypotheses
- Herbal or Medical Manual: The drawings of plants, jars, and bathing figures suggest a compendium of herbal medicine or therapy.
- Astrological or Esoteric Work: The zodiac and cosmological motifs imply links to astrology or alchemy.
- Encoded Knowledge: Some believe the manuscript is a cipher concealing secret knowledge in code form.
- Hoax or Artistic Invention: A minority view holds that it could be meaningless—an elaborate hoax designed to impress or deceive.
- Lost Language Hypothesis: Some linguistic analyses suggest it might represent an unknown or extinct natural language written in an invented script.
Enduring Fascination
Despite the best efforts of cryptographers, linguists, and historians, the Voynich Manuscript has resisted translation. Its illustrations remain ambiguous and unlinked to any known textual tradition. The questions persist: Who created it? What language or cipher is it written in? What purpose did it serve?
The Voynich Manuscript endures as a symbol of human curiosity and the limits of decipherment. It merges art, science, and enigma, embodying the tantalizing possibility that some knowledge from the past remains just out of reach. Scholars continue to study it with new technology, and enthusiasts around the world remain captivated by this strange window into an unknown world.
Whether it encodes lost knowledge, an invented language, or pure imagination, the Voynich Manuscript continues to guard its secrets — perhaps forever.